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WOMAD 2024: First wave of artists revealed for Wiltshire festival

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WOMAD is thrilled to announce the first slate of global artists who will be descending to the picturesque landscape of Charlton Park in Wiltshire Thursday 25 – Sunday 28 July 2024. Aneclectic mix of talent,from newcomers to legends, unknowns to visionary songwriters  spanning every genre; R&B, hip-hop, rap, rock, blues, electro, folk, punk, jazz and everything in-between; New Orleans brass band, funkadelists, drum and bass, neo-soul, gospel, indie-pop, psychedelic rock, Qawwali, mambo, boogaloo, and flamenco.

Making their long-waited WOMAD debut are progressive hip-hop trio Young Fathers [UK]whose most recent album Heavy Heavy was described by The Guardian as “something that’s unique and completely modern, that couldn’t have been made before now.” Their upcoming performance is sure to provide a live commentary to our confused and chaotic times, as is that of Sampa The Great [Zambia]regarded as one of southern Africa’s greatest hip hop heroes, if not of the entire continent she will be bringing her unique blend of electronica, gospel, neo-soul, jazz and Zamrock to WOMAD for the very first time, with lyrics that wrestle with the themes of home, identity and injustice. Joining them at the World’s best party festival electronic trailblazer and dance icon Alison Goldfrapp [UK] will be showcasing her recent debut solo album, The Love Invention, her self-confessed “tribute to the dancefloor.”

Musical legends Amadou and Mariam [Mail] who are amongst the world’s finest musical ambassadors with their signature swinging blues will make a timely return this year long with the musical powerhouse Baaba Maal [Senegal], whose commanding vocals and timeless body of work have put him at the top of the Senegalese musical tree. Also making a triumphant return are legendary gypsy punks Gogol Bordello [USA], who still know how to cause a musical riot with their intoxicating and feverish performances and hip hop crew DAM [Palestine] who live in the mixed Israeli cities of Lydda and Haifa. Their unique sound explores an array of hard-hitting topics with universal resonance through intricate and powerful musical compositions, fusing traditional Middle Eastern sounds, the rhythm and intonation of Arabic-language rap and an unmistakeably hip-hop attitude.

Other artists hailing from across the pond are contemporary New Orleans jazz band The 79rs Gang [USA]whose extraordinary reinvention of Mardi Gras frivolity interweaves with vibrant hip-hop and rap and San Francisco’s indie-rock innovators Deerhoof [USA], known for their fabulously frenetic psychedelia will bring their improvised punk noise in full force.

From South America come two Latin Grammy-Award winners; the euphoric sounds of Bala Desejo [Brazil],whose avant-garde approach to their carnival roots will blow audiences away and iLe [Puerto Rico]who originally made her name in alternative hip-hop group and family band Calle 13, she isknown for her varying classical latin styles, enchanting vocals and steely lyrics pushing her politics in exciting ways.

From the Real World label are Tibet’s legendary musical export Yungchen Lhamo [Tibet], the viola-playing master John Metcalfe [New Zealand] who willpresent his latest acclaimed album ‘Tree’,  the folk gospel flavoured duo The Breath [Ireland/England]andnew to the spotlight African musical sensation, The Zawose Queens [Tanzania], the daughter and granddaughter of the late great Tanzanian musician and WOMAD legend Hukwe Zawose.

WOMAD has long been a byword for thrilling musical collaborations, at this year’s gathering the first female professional tabla player Anuradha Pal willjoin forces with brothers Kedia Bandhu [India], Qawwali Flamenco [Pakistan/Spain] will fuse Sufi Islamic tradition with magnificent flamenco and experimental collaboration 41323142” [Tarta Relena, Cocanhaand Los Sara Fontan] [Catalonia/Spain] will enchant with their spellbinding harmonies.

Every WOMAD event is fuelled by the spirit of discovery, by encountering performers previously unknown and unheard, a new favourite could well be found among some of the other performers;

The Allergies [UK/USA]

What started as the vinyl-spinning duo of DJ Moonshot and Rackabeat has evolved into a high-action live hip hop band, with funky beats and breaks a-plenty.

Ars Nova Napoli [Italy]

Vibrant re-interpreters of the folk music of their native Naples, armed with fiddles, accordion, bagpipes and the like.

Bhutan Balladeers [Bhutan]

Zhungdra music from Bhutan is among the most secret sounds made on this planet. Expect extended vocal tones, double-stringed lutes, wooden flutes, and two-stringed fiddles.

Cerys Hafana [Wales]

Brilliant player of the triple harp, recalibrating this most challenging of instruments but never losing a drop of that Welsh flavour.

Dr Meaker [UK]

Led by the titular keyboard player, this multi-membered outfit deliver full-on, high-bpm live dance music – where nu-soul meets drum & bass.

Duo Ruut [Estonia]

Duo Ruul’s unusual set-up finds its two female members either side of a giant zither which they both play, their voices also sharing the air on which they rise higher and higher.

Faiz Ali Faiz [Pakistan]

In Faiz Ali Faiz, the honourable tradition of qawwali singing has a true successor to the mighty Nusrat Ali Fateh Khan. A voice that soars and soars and soars.

The Great Malarkey [UK]

Spiky-edged folk-punk Londoners draw from heroes like The Pogues and Manu Chao for an intensive, unforgettable live experience that never fails to electrify.

Henge [UK]

Call it cosmic rock, call it space rock… Manchester’s cult heroes Henge take you on an idiosyncratic, galactic musical voyage to places you have never imagined.

Hirahi Afonso [Canary Islands]

From Gran Canaria, Hirahi plays the timble, a five-stringed instrument native to the Canary Islands which he introduces to a wide, jazz-tinged repertoire with his lively band.

Islandman [Turkey]

Trio from Istanbul who fuse gentle electronica and acoustic Turkish folk to create mellow grooves that are utterly redolent of the sun-hazed Mediterranean.

Justin Adams & Mohamed Errebbaa [UK/Morocco]

The venerable, well-travelled guitarist teams up with gnawa master musician Mohamed for a deep voyage into the heavy sounds of North Africa and beyond.

Kumbia Boruka [Mexico]

Lyon-based collective who put a 21st-century twist on cumbia, that soundtrack of Latin America. The accordion is there, the horns are there with a discernible Jamaican flavour.

Laura Misch [UK]

Sax-playing singer-songwriter whose breathy vocals, field recordings and electronic enhancements create deeply atmospheric soundscapes.

London Afrobeat Collective [UK]

Horn-heavy grooves from London Town that reach beyond Nigerian Afrobeat and add swirling Congolese guitar and a dose of Latin bounce.

Ndox Électrique [Senegal]

One of the most unlikely musical collaborations finds the music of the super-secretive Senegalese n’döep ritual fusing with thick and heavy electric guitars.

Noriko Tadano [Japan]

The shamisen is a Japanese lute-like instrument which, in the hands of Noriko Tadano, is played with a combination of virtuosic perfection and bluesy abandon.

O. [UK]

London duo who use a baritone sax and a drum kit to astoundingly imaginative effect, exploring the hinterland between improvisational jazz and experimental rock.

Old Time Sailors [UK]

Set the time machine for the 19th century as this 20-strong bunch raise a chest of sea shanties from the ocean floor and fire them up in riotous, rousing fashion.

Sangjaru [South Korea]

Lithe and deft trio who – unlikely as it seems – seamlessly stitch together the swing of gypsy jazz with the folk traditions of their Korean homeland.

Seckou Keita – Homeland Band [Senegal/UK]

Seckou is no ordinary kora player. His virtuosity is matched by his open ears and sense of adventure, whether collaborating with Welsh harpists or Cuban jazzers.

Sheelanagig [UK]

“Original jumping East European folk music” is how Sheelanagig sell themselves. Expect groove, expect exuberance, expect a fine time indeed.

Soema Montenegro [Argentina]

A complete musical free spirit, Soema is a singer, a poet, a storyteller and a shaman, and her untethered music celebrates the natural and spirit worlds of South America.

Two Canoes [Ireland]

Aiming to recreate the feel and spontaneity of a live session in a rural Irish pub, Two Canoes deliver the goods, whether playing wistful ballads or rousing reels.

WOMAD is not just about incredible music; it has an abundance of activity; the World of Words, celebrates all things spoken; fascinating talks, thought provoking conversation and inspirational authors and the Hip Yak Poetry Shack will have some of the best-spoken word artists in the country. There will be mind-expanding talks, experiments, and performance at the Physics Pavilion; pampering and tranquility at the World of Wellbeing and luxury at the WOMAD Spa, an oasis of calm with wood-fired hot-tubs, and all-day yoga. And some of the weekend’s performers will get the chance to show off their culinary credentials in the legendary and unique Taste the World stage.

On top of that, festivalgoers have the unique opportunity to learn from experts and get involved with a whole array of workshops; from taking dance lessons to picking up a musical instrument from the other side of the globe. And at the World of Children there are more child-friendly activities and workshops than at any other festival, this year’s theme is Superheroes, the culmination of which is the now-legendary Sunday afternoon parade across the festival site. All children 13 years and under are free.

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Experience the Magic of Christmas at Kew Gardens

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Christmas at Kew returns this year as one of the UK’s most enchanting illuminated trails, offering an unforgettable way to ring in the festive season or welcome the New Year. The gardens transform into a sparkling wonderland, filled with the sights and sounds of Christmas. Visitors can expect glittering light tunnels, shimmering lakeside reflections, and trees lit up in vibrant, jewel-like hues, creating a botanical display that overflows with holiday spirit.

The magic continues with immersive installations, including a fire garden with flickering flames, larger-than-life illuminations, and even a chance to spot Father Christmas along the trail. To complete the festive experience, Kew’s independent street food vendors will be serving seasonal favourites—from warm, spiced winter drinks to sweet treats and comforting hot dishes.

Important Information for Visitors

Due to limited capacity, entry to Christmas at Kew is timed, so early booking is essential to secure your preferred date and time. The gardens close at 10 pm, with last entry at 8 pm (or an hour earlier on 24 December).

For group bookings of fifteen or more, a special page is available for reservations. Additionally, Quiet Access sessions will be held on 30 November, and 3, 18, and 28 December for visitors with hidden disabilities, providing a more relaxed atmosphere while still showcasing the sensory wonder of Christmas at Kew.

Planning Your Visit

For complete details on entry times, ticket information, and accessibility guidelines, please refer to the Christmas at Kew booking page. Bicycles, tricycles, and other personal vehicles (except powered wheelchairs) are not permitted inside the event grounds and must be left at the gates.

Kew Gardens is also committed to a sustainable event, so you can enjoy the festivities with an eye on environmental care.

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Review – Jazz Cafe Festival 2024: A Mixed Debut with More Hits than Misses

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As we recommended last March in our article, The best music festivals in London 2024, our team at Reading West visited the highly anticipated Jazz Cafe Festival – and here’s our review.

The inaugural Jazz Cafe Festival 2024 had all the ingredients for a standout event, and while it hit some high notes, there were a few areas where it fell short. As with any brand-new festival, some teething problems were to be expected. However, certain missteps, particularly in the VIP area, left attendees feeling underwhelmed.

The VIP experience, in particular, did not deliver as promised. Many guests paid extra for the perks, but the so-called VIP queue jump didn’t exactly speed things up. In fact, many found themselves waiting just as long as general admission ticket holders. The VIP area itself, while exclusive, offered an almost non-existent view of the stage, which was frustrating for those hoping to be closer to the action. Additionally, the space was overcrowded, leading to long waits for drinks and a distinct lack of the “luxury” experience that VIP ticket holders were expecting.

One of the most glaring issues was the “luxury” toilets – of which there were only three! Female attendees, in particular, found themselves queuing for quite some time. Once inside, the facilities were indeed luxurious, but it seemed that the festival organisers had forgotten to arrange a proper cleaning rota. As the day wore on, the sparkle of these high-end loos began to fade, leaving many unimpressed.

Despite these hiccups, the festival delivered far more positives than negatives. The vibrant and diverse crowd reflected the festival’s eclectic music line-up. It was a kaleidoscope of cultures, styles, and attitudes – a true celebration of jazz’s global influence. From colourfully dressed attendees to those smartly or casually attired, everyone was united by their love of music, and it showed in the way people danced freely to the different tunes filling the air.

Musically, the festival was a triumph. Rapsody brought fierce energy to the stage with her electrifying blend of hip-hop and jazz, proving why she’s a force to be reckoned with in modern music. Buena Vista Social Club offered a dose of nostalgia, delivering their trademark Cuban rhythms to an adoring crowd, turning the venue into a sea of swaying fans. Rising star Eliza was another standout, her soulful voice captivating the audience, while Nils Frahm created an atmospheric, almost cinematic experience with his unique fusion of electronic and classical sounds.

A special highlight of the festival was the touching tribute to the audience itself, with a Latin jazz rendition of Coldplay’s ‘Clocks’. This unexpected cover, reimagined with vibrant Latin rhythms and soulful trumpet solos, struck a chord with the crowd, creating a beautiful, shared moment of connection. It was a perfect example of how the festival celebrated the power of music to unite people from all walks of life.

Overall, the Jazz Cafe Festival 2024 had its fair share of organisational issues, particularly in terms of VIP logistics. However, these are problems that can be ironed out with time, and given the overwhelmingly positive atmosphere generated by the music and the crowd, there’s plenty of potential for future festivals to improve. With such an incredible range of artists and a crowd eager to celebrate the best of jazz and beyond, the foundation is certainly there for this festival to become a major annual event.

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Reading Festival: A Guide for First-Timers

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Reading Festival

In just a few hours, the town of Reading will transform into the epicenter of one of the world’s most celebrated music festivals. Music lovers from all corners flock to Reading to experience a festival with a legacy that stretches back over three decades. Over the years, legendary acts like The Chemical Brothers, Foo Fighters, Oasis, and Prodigy have lit up the Reading Festival stage. If you’re planning to attend this iconic event for the first time, you’re in for a treat. This article is packed with essential tips for navigating Reading Festival 2024, so jump right in.

The Reading Festival has become an annual tradition, drawing crowds of music enthusiasts year after year, no matter the weather. Festival-goers have braved rain, endured sweltering heat, and embraced the mud, learning the art of packing smartly. You’ll want to bring two sets of clothing, prioritizing shorts and T-shirts, but don’t forget waterproof gear and warm layers as rain is expected on Saturday. A quality sleeping bag is a must, and remember to pack light—dragging a heavy bag while hunting for the perfect camping spot is far from fun.

Towels are essential; one can dry you off on rainy days, while the other provides a cool respite when soaked in cold water during hot spells. Wet wipes are invaluable for reasons you’ll soon discover. Sunscreen is crucial for Friday and Sunday to avoid painful sunburns that could ruin your festival experience. If you enjoy a beer (and who doesn’t?), consider bringing your own to avoid the high prices at the festival. Other must-haves include a hat for sun protection, plenty of water to stay hydrated, sunglasses, glow sticks, and a waterproof hoodie for unexpected downpours.

Selecting the right tent is key to a successful Reading Festival adventure. Choose one that stands out so you can easily find it amidst the sea of tents. Otherwise, you might find yourself awkwardly entering the wrong one more than once. Avoid pitching your tent near hedgerows or main pathways, as these areas can be problematic. The ideal spot is near a tree and close to the arena where the bands play. Finally, don’t forget to make new friends, wear your trendiest jeans, and embrace the festival atmosphere with confidence!

And most importantly, don’t miss the First Timer’s Guide from Reading Festival—it’s an essential read for newcomers.

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