The 4-day extravaganza saw Fatoumata Diawara, Angelique Kidjo, Kae Tempest, The Flaming Lips, Cimafunk, Fantastic Negrito, Gilberto Gil & Family and Lianne La Havas take to the stages
WOMAD reflects on 40 years: 300 worldwide festivals spanning six continents totalling 10,000 artists and educating millions.
WOMAD, Charlton Park, 28-31 July 2022: WOMAD returned to Wiltshire to celebrate its 40th birthday, a landmark moment and the UK’s first since 2019. The 1,099-day hiatus, the festival’s longest gap since its inception due to Covid-cancellations, created an unrivalled atmosphere and an explosion of culture, with highlights across WOMAD’s rich programme.
Throughout WOMAD, festival organisers reflected on its 40th year, casting minds back to the first-ever WOMAD in 1982. And in a conversation featuring Peter Gabriel, co-founder Stephen Pritchard and festival director Chris Smith, the panel shared stories and organisational challenges that threatened its existence, proving a fascinating WOMAD-themed history lesson.
WOMAD’s most electrifying opening set saw the first night’s headliner Fatoumata Diawara and her brand of refreshingly traditional Malian music kick off Thursday, setting the bar incredibly high for the rest of the festival. In the Siam Tent, ska legends The Selecter put on a vintage performance with their four decades of experience, strutting their stuff on stage.
Friday was like a fast-paced highlight reel with Cimafunk channelling James Brown, Prince, and Hendrix in Afro-Caribbean funk and Cuban hip-hop fusion. Then Soweto collective BCUC performed their self-proclaimed “Afro-psychedelic”, mixing rap, gospel and soul into a sweaty d&b Soundscape. Next up, Grammy-winner Fantastic Negrito delivered an extravagant, blues-fuelled performance with soul and passion that left WOMAD beaming.
Kae Tempest took us in a different direction: transformative, uplifting, and fresh, epitomising the diverse mixture of sounds in a passionate performance at the Siam Tent. Then Angelique Kidjo’s kinetic ‘Remain In Light’ reimagining the Talking Head’s classic captivated the Open Air, with Peter Gabrielbreaking out of the stage’s wings to dance on set. Friday closed with the elegant B. Dance led by esteemed choreographer Po-Cheng Tsai. The Taiwanese dance troupe absorbed contemporary dance, Asian dance and martial arts movements for an exquisite display at the Siam tent.
On Saturday Grupo Lokito’s incandescent Afro Caribbean dance moves delighted WOMAD blending salsa and Congolese rumba for an unforgettable party at the Ecotricity Stage. Then, ADG7’s traditional folk and pop collision filled the Open Air with explosions of colour and sporadic set breaks for Korean language lessons. North Africa duo Bab L’Bluz brought their hypnotic psychedelic blues to the Siam Tent, impressing festivalgoers with their fiery brand of Gnawa and rock.
Pan-African Supergroup Les Amazones d’Afrique performed their West African tones to the delight of WOMAD; the Obama-endorsed quartet exceeded expectations dazzling the Open Air. With years of experience and still sounding as fresh as ever, festival-favourite Nitin Sawhney returned to WOMAD and filled the Siam Tent with a variety of sounds and instrumentals with Spanish influences.
The bombastically flamboyant Flaming Lips put on one of the biggest budget gigs WOMAD has ever seen: from giant blown-up transformers to enormous confetti cannons, the psychedelic oddballs shut down the Open Air Stage with a performance etched in WOMAD’s hall of fame. And closing Saturday, veteran producer-DJ Zed Bias put on a two-hour electronic masterclass to a packed-out d&b Soundscape as WOMAD danced the night away.
One of the standout visual highlights was the incredible lunar experience Museum of the Moon, a 7m diameter internally lit sphere art installation by Luke Jerram that became WOMAD’s rendezvous point for festival revellers. Located in the woods to the south of the site, the trumpeter and composer Yazz Ahmed created a stunning piece, part of the immersive sonic experience.
A sunny Sunday conquered overcast weather reports as WOMAD woke up to indie-folkists Stornoway who played their ultimate show, bidding farewell to a sombre WOMAD crowd. Then, 10-legged groove machine Son RompePera put on a jaw-dropping punk rock display and non-stop dance fest. Next the Open Air hosted drumming group Dhol Collective that produced a magical WOMAD moment when 8-year-old drummer and influencer Anabell Tang stepped onto the stage midway through the set and joined in! She held her own with a stellar performance impressing the crowd and even the Dhol Collective.
Closing the festival was a family affair for the godfather of Brazilian music Gilberto Gil and his talented extended family. No less than 14 joined him on stage for an emotional musical extravaganza, including his great-great-grand-sons (aged 10 and 5), who look sure to follow their great-grandfather’s footsteps. Lianne La Havas instantly delivered on her anticipated performance with her gorgeous vocals and warm soulful vibes that kept-up momentum before 2022’s closer, Onipa in d&b Soundscape – a unique adventure in Afro-futurism, delighting the audience whilst closing WOMAD in style.
Christmas at Kew returns this year as one of the UK’s most enchanting illuminated trails, offering an unforgettable way to ring in the festive season or welcome the New Year. The gardens transform into a sparkling wonderland, filled with the sights and sounds of Christmas. Visitors can expect glittering light tunnels, shimmering lakeside reflections, and trees lit up in vibrant, jewel-like hues, creating a botanical display that overflows with holiday spirit.
The magic continues with immersive installations, including a fire garden with flickering flames, larger-than-life illuminations, and even a chance to spot Father Christmas along the trail. To complete the festive experience, Kew’s independent street food vendors will be serving seasonal favourites—from warm, spiced winter drinks to sweet treats and comforting hot dishes.
Important Information for Visitors
Due to limited capacity, entry to Christmas at Kew is timed, so early booking is essential to secure your preferred date and time. The gardens close at 10 pm, with last entry at 8 pm (or an hour earlier on 24 December).
For group bookings of fifteen or more, a special page is available for reservations. Additionally, Quiet Access sessions will be held on 30 November, and 3, 18, and 28 December for visitors with hidden disabilities, providing a more relaxed atmosphere while still showcasing the sensory wonder of Christmas at Kew.
Planning Your Visit
For complete details on entry times, ticket information, and accessibility guidelines, please refer to the Christmas at Kew booking page. Bicycles, tricycles, and other personal vehicles (except powered wheelchairs) are not permitted inside the event grounds and must be left at the gates.
Kew Gardens is also committed to a sustainable event, so you can enjoy the festivities with an eye on environmental care.
As we recommended last March in our article, The best music festivals in London 2024, our team at Reading West visited the highly anticipated Jazz Cafe Festival – and here’s our review.
The inaugural Jazz Cafe Festival 2024 had all the ingredients for a standout event, and while it hit some high notes, there were a few areas where it fell short. As with any brand-new festival, some teething problems were to be expected. However, certain missteps, particularly in the VIP area, left attendees feeling underwhelmed.
The VIP experience, in particular, did not deliver as promised. Many guests paid extra for the perks, but the so-called VIP queue jump didn’t exactly speed things up. In fact, many found themselves waiting just as long as general admission ticket holders. The VIP area itself, while exclusive, offered an almost non-existent view of the stage, which was frustrating for those hoping to be closer to the action. Additionally, the space was overcrowded, leading to long waits for drinks and a distinct lack of the “luxury” experience that VIP ticket holders were expecting.
One of the most glaring issues was the “luxury” toilets – of which there were only three! Female attendees, in particular, found themselves queuing for quite some time. Once inside, the facilities were indeed luxurious, but it seemed that the festival organisers had forgotten to arrange a proper cleaning rota. As the day wore on, the sparkle of these high-end loos began to fade, leaving many unimpressed.
Despite these hiccups, the festival delivered far more positives than negatives. The vibrant and diverse crowd reflected the festival’s eclectic music line-up. It was a kaleidoscope of cultures, styles, and attitudes – a true celebration of jazz’s global influence. From colourfully dressed attendees to those smartly or casually attired, everyone was united by their love of music, and it showed in the way people danced freely to the different tunes filling the air.
Musically, the festival was a triumph. Rapsody brought fierce energy to the stage with her electrifying blend of hip-hop and jazz, proving why she’s a force to be reckoned with in modern music. Buena Vista Social Club offered a dose of nostalgia, delivering their trademark Cuban rhythms to an adoring crowd, turning the venue into a sea of swaying fans. Rising star Eliza was another standout, her soulful voice captivating the audience, while Nils Frahm created an atmospheric, almost cinematic experience with his unique fusion of electronic and classical sounds.
A special highlight of the festival was the touching tribute to the audience itself, with a Latin jazz rendition of Coldplay’s ‘Clocks’. This unexpected cover, reimagined with vibrant Latin rhythms and soulful trumpet solos, struck a chord with the crowd, creating a beautiful, shared moment of connection. It was a perfect example of how the festival celebrated the power of music to unite people from all walks of life.
Overall, the Jazz Cafe Festival 2024 had its fair share of organisational issues, particularly in terms of VIP logistics. However, these are problems that can be ironed out with time, and given the overwhelmingly positive atmosphere generated by the music and the crowd, there’s plenty of potential for future festivals to improve. With such an incredible range of artists and a crowd eager to celebrate the best of jazz and beyond, the foundation is certainly there for this festival to become a major annual event.
In just a few hours, the town of Reading will transform into the epicenter of one of the world’s most celebrated music festivals. Music lovers from all corners flock to Reading to experience a festival with a legacy that stretches back over three decades. Over the years, legendary acts like The Chemical Brothers, Foo Fighters, Oasis, and Prodigy have lit up the Reading Festival stage. If you’re planning to attend this iconic event for the first time, you’re in for a treat. This article is packed with essential tips for navigating Reading Festival 2024, so jump right in.
The Reading Festival has become an annual tradition, drawing crowds of music enthusiasts year after year, no matter the weather. Festival-goers have braved rain, endured sweltering heat, and embraced the mud, learning the art of packing smartly. You’ll want to bring two sets of clothing, prioritizing shorts and T-shirts, but don’t forget waterproof gear and warm layers as rain is expected on Saturday. A quality sleeping bag is a must, and remember to pack light—dragging a heavy bag while hunting for the perfect camping spot is far from fun.
Towels are essential; one can dry you off on rainy days, while the other provides a cool respite when soaked in cold water during hot spells. Wet wipes are invaluable for reasons you’ll soon discover. Sunscreen is crucial for Friday and Sunday to avoid painful sunburns that could ruin your festival experience. If you enjoy a beer (and who doesn’t?), consider bringing your own to avoid the high prices at the festival. Other must-haves include a hat for sun protection, plenty of water to stay hydrated, sunglasses, glow sticks, and a waterproof hoodie for unexpected downpours.
Selecting the right tent is key to a successful Reading Festival adventure. Choose one that stands out so you can easily find it amidst the sea of tents. Otherwise, you might find yourself awkwardly entering the wrong one more than once. Avoid pitching your tent near hedgerows or main pathways, as these areas can be problematic. The ideal spot is near a tree and close to the arena where the bands play. Finally, don’t forget to make new friends, wear your trendiest jeans, and embrace the festival atmosphere with confidence!
This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.
Strictly Necessary Cookies
Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.
If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again.