“Before we kick off this show,” inquired Brandon Flowers, “we’ve got a question: Where do you all hail from?” Flowers posed this question just before he extended an invitation to a lucky fan to join The Killers on the drums during their headline performance at the Reading Festival.
A mere two weeks earlier, the band had found themselves embroiled in controversy for bringing a Russian fan onstage during a headline gig in neighboring Georgia, which led to a public apology (their social media statement emphasized, “It was never our intention to offend anyone”). There was a brief, apprehensive pause until Ozzy, the fortunate fan, confirmed his origin just outside of Bath.
Once confirmed, Ozzy proceeded to unleash a sensational performance of “For Reasons Unknown,” snapped a memorable selfie with the band, and returned to the jubilant front row. Surprisingly, this proved to be the only moment of tension in an otherwise effortlessly captivating headline set, and even this tension soon morphed into sheer delight.
Flowers then took a nostalgic turn, remarking, “You might recall they once dubbed this the Reading Rock Festival.” The last time The Killers graced this iconic stage was back in 2008 when they topped a bill alongside indie luminaries like Bloc Party and Jack White’s The Raconteurs. However, on this particular Saturday, the Las Vegas outfit followed an electrifying performance by the formidable Central Cee.
Though fifteen years had elapsed since their previous appearance at this venue, The Killers’ music had lost none of its universal and timeless appeal. Flowers promised, “Tonight, we’re rewinding the clock,” and while a wave of nostalgia undoubtedly washed over the crowd during renditions of the big hits from their seminal debut album, “Hot Fuss,” there was also a fresh, youthful enthusiasm as a new generation passionately sang along to stadium anthems like “Smile Like You Mean It,” “Jenny Was A Friend Of Mine,” and “Somebody Told Me.”
With the album’s 20th anniversary rapidly approaching, Flowers took a poignant moment to express gratitude to the audience for making their dreams come true. “The guys who penned those songs got swept up in a whirlwind, and here they stand before you,” he reflected before launching into the introspective “All These Things That I’ve Done.”
Amidst these waves of nostalgia, The Killers interjected a handful of tracks from their 2020 release, “Imploding The Mirage,” allowing the band to revisit their synth-driven roots. Furthermore, they introduced the live debut of their latest single, “Your Side Of Town,” a vibrant electro-rock composition brimming with vitality.
During their urgent 90-minute set, there was no room for material from the more subdued “Pressure Machine.” The Killers leaned heavily on their most immediate and crowd-pleasing hits, including the euphoric “Spaceman,” the soul-stirring “When You Were Young,” and the exuberant, confetti-filled disco frenzy of “The Man.”
True to their reputation as consummate crowd-pleasers, The Killers concluded the night with the grand, contemplative anthem “Human” and surprised the audience with not one, but two renditions of “Mr. Brightside” – first, a Eurodance remix, and then the iconic snarling rock and roll original. Although this song may predate many in the crowd, it remains a generational anthem capable of igniting thousands into an absolute frenzy.
Saturday night’s performance was an exuberant celebration, marking yet another milestone in The Killers’ expansive journey, which appears to be ever-expanding. Currently, they are the bookmakers’ favorites to headline next year’s Super Bowl, surpassing esteemed acts such as Foo Fighters, U2, and fellow Reading headliners Imagine Dragons. Nevertheless, there’s also been talk of transitioning from stadium rock to a more subdued sound. Yet, on this particular Saturday night, the cheers and adoration from the crowd couldn’t have been any louder.
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