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First Names Unveiled For Womad Festival Charlton Park’s 10th Birthday

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28-31 July 2016, Charlton Park, Wiltshire, UK
Line-up includes GEORGE CLINTON, BAABA MAAL, IBRAHIM MAALOUF and much more
Early-bird tickets sold out, general release on sale now

This July, WOMAD Festival will be hosting its global party in the grounds of Charlton Park in deepest Wiltshire for the TENTH time from 28-31 July. Time flies when you’re having fun putting on the most eclectic and far-reaching music event on the UK festival calendar. And now it’s time to announce the first wave of artists who’ll be heading for this particular corner of paradise this summer.

If ever there was a man and band who know how to get a party started, it’s surely George Clinton Parliament Funkadelic. The commander-in-chief of the psychedelic end of the funk spectrum, George has been an extraordinary showman for the best part of half a century now and shows no sign of taking his foot off the gas. Come July, he’ll be putting one festival under a groove, for sure.

George says: “It would be ludicrous to think that we are new to this, we do this cos we got that doo doo.”

For such an important milestone in WOMAD’s 34-year history, the festival welcomes the return of the Senegalese musician, statesman and icon Baaba Maal. Since making his WOMAD debut several decades ago, Baaba has become one of African music’s most globally celebrated superstars – as well as being the recipient of the ultimate accolade: becoming a castaway on Desert Island Discs. His performances on our stages are always powerful occasions.

Baaba says: “I’m so excited that my new band will finally experience the incredibly diverse and inspirational festival that is WOMAD. It’s always such an incredible weekend.”

When his playing isn’t adorning the records of Sting, Salif Keita and Amadou & Mariam, the French-Lebanese trumpeter Ibrahim Maalouf is busy collecting plaudits and acclaim for his own work. A beautifully expressive player, this is a man who adds Arabic flavours and textures to the jazz trumpet canon. His performance promises to enchant, beguile and inspire in equal measure.

Guaranteed to raise the roof wherever they play, New Orleans’ magnificent Hot 8 Brass Band are currently celebrating their 20th anniversary as one of the city’s hardest-blowing outfits. Expect a set of many highs, including their takes on Sexual Healing and Ghost Town.

Aziza Brahim knows what it’s like to make music from adversity. Her songs are shot through with the bitterness of life in the refugee camps of Western Sahara, albeit enhanced by the warm colours of her adopted home of Barcelona.

We’re also delighted to welcome the latest incarnation of Sidestepper. Originally just a producer (Richard Blair) with a flair for fusing Colombian vocals with firing electronics, the band have since shifted towards a more percussive sound, as heard on their new Real World album Supernatural Love.

Another artist to play a significant role in Real World’s evolution was the Celtic fusionist Martyn Bennett, who died tragically young in 2005. The Grit Orchestra will revisit Martyn’s magnum opus, the album Grit, ambitiously setting the work to a full orchestration.

The Congolese polymath Baloji (rapper, poet, composer, actor, video artist…) represents the throbbing pulse of Africa’s current musical output, his sharp sense of history and heritage meshing brilliantly with up-to-the-minute electronics and words of defiance.

In recent years, several veteran musicians from the golden age of African music in the 1960s and ’70s have grabbed some belated attention from the wider world. The sweet-voiced Ghanaian singer Pat Thomas is the latest to bathe in the glow and he’ll be bringing his groove-heavy highlife and Afrobeat sounds to Wiltshire in the company of his Kwashibu Area Band.

Another veteran musician is the former Ry Cooder collaborator VM Bhatt whose latest project, Desert Slide, showcases how the blues sound in the wide-open expanses of Rajasthan. Bhatt is the inventor – and thus naturally the world’s leading player – of the mohan veena, a beautiful-sounding creation that’s somewhere between a traditional Indian stringed instrument and a Western slide guitar.

This Is The Kit is the shape-shifting, 6 Music-approved musical alias of Kate Stables, whose delicate, warm songs sound equally effective played in an acoustic duo or with a rockier full band. Guy Garvey was an early fan, declaring that the second This Is The Kit album, Wriggle Out The Restless, should have been nominated for the Mercury Prize.

Of course, ever since its birth in 1982, WOMAD has been all about the music you don’t yet know. Here’s the inside track on some unknowns who could become favourites this summer…

Afriquoi
Exhilarating London five-piece, fusing Congolese guitar, Gambian kora, Mandinka percussion and UK electronics.

Blick Bassy
Cameroonian troubadour with a gorgeous woodsmoked voice and a bagful of skin-pricking tunes.

Dom La Nena
Soft-voiced, cello-playing singer-songwriter from Brazil via Paris who’s been described as “the bossa Joanna Newsom”.

The East Pointers

Terrifically lithe and dextrous traditional trio (fiddle, banjo, guitar) from the Canadian stronghold of Celtic music – Prince Edward Island.

Ethno-Trio Troitsa
This tradition-protecting trio from Belarus blow plenty of life into handed-down folk tunes, aided by an arsenal of 50 (!) instruments.

Luna Pena
The owner of one of the most distinctive voices in fado, the deeply mournful folk music of Portugal.

Moh! Kouyate
Guinean guitarist and bandleader who applies a contemporary edge to that timeless, liquid West African sound.

Muzykanci
Dizzyingly brilliant, hurdy gurdy-enhanced folk supergroup from Poland setting dark fables to exhilarating tunes.

Tetish
Musically ambidextrous duo from Tel Aviv with a very fine line in noirish indie-pop.

These names represent a mere drop in the ocean when it comes to this summer’s complete line-up, just a few bars of the entire WOMAD symphony.

Watch this space for more announcements, including details of art exhibitions, installations, family entertainment at the World of Kids, relaxation at the World of Wellbeing, and sumptuous food, including from the artists themselves at the one-and-only Taste The World stage, all rolled in to the only event that can truly call itself The World’s Festival.

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Experience the Magic of Christmas at Kew Gardens

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Christmas at Kew returns this year as one of the UK’s most enchanting illuminated trails, offering an unforgettable way to ring in the festive season or welcome the New Year. The gardens transform into a sparkling wonderland, filled with the sights and sounds of Christmas. Visitors can expect glittering light tunnels, shimmering lakeside reflections, and trees lit up in vibrant, jewel-like hues, creating a botanical display that overflows with holiday spirit.

The magic continues with immersive installations, including a fire garden with flickering flames, larger-than-life illuminations, and even a chance to spot Father Christmas along the trail. To complete the festive experience, Kew’s independent street food vendors will be serving seasonal favourites—from warm, spiced winter drinks to sweet treats and comforting hot dishes.

Important Information for Visitors

Due to limited capacity, entry to Christmas at Kew is timed, so early booking is essential to secure your preferred date and time. The gardens close at 10 pm, with last entry at 8 pm (or an hour earlier on 24 December).

For group bookings of fifteen or more, a special page is available for reservations. Additionally, Quiet Access sessions will be held on 30 November, and 3, 18, and 28 December for visitors with hidden disabilities, providing a more relaxed atmosphere while still showcasing the sensory wonder of Christmas at Kew.

Planning Your Visit

For complete details on entry times, ticket information, and accessibility guidelines, please refer to the Christmas at Kew booking page. Bicycles, tricycles, and other personal vehicles (except powered wheelchairs) are not permitted inside the event grounds and must be left at the gates.

Kew Gardens is also committed to a sustainable event, so you can enjoy the festivities with an eye on environmental care.

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Review – Jazz Cafe Festival 2024: A Mixed Debut with More Hits than Misses

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As we recommended last March in our article, The best music festivals in London 2024, our team at Reading West visited the highly anticipated Jazz Cafe Festival – and here’s our review.

The inaugural Jazz Cafe Festival 2024 had all the ingredients for a standout event, and while it hit some high notes, there were a few areas where it fell short. As with any brand-new festival, some teething problems were to be expected. However, certain missteps, particularly in the VIP area, left attendees feeling underwhelmed.

The VIP experience, in particular, did not deliver as promised. Many guests paid extra for the perks, but the so-called VIP queue jump didn’t exactly speed things up. In fact, many found themselves waiting just as long as general admission ticket holders. The VIP area itself, while exclusive, offered an almost non-existent view of the stage, which was frustrating for those hoping to be closer to the action. Additionally, the space was overcrowded, leading to long waits for drinks and a distinct lack of the “luxury” experience that VIP ticket holders were expecting.

One of the most glaring issues was the “luxury” toilets – of which there were only three! Female attendees, in particular, found themselves queuing for quite some time. Once inside, the facilities were indeed luxurious, but it seemed that the festival organisers had forgotten to arrange a proper cleaning rota. As the day wore on, the sparkle of these high-end loos began to fade, leaving many unimpressed.

Despite these hiccups, the festival delivered far more positives than negatives. The vibrant and diverse crowd reflected the festival’s eclectic music line-up. It was a kaleidoscope of cultures, styles, and attitudes – a true celebration of jazz’s global influence. From colourfully dressed attendees to those smartly or casually attired, everyone was united by their love of music, and it showed in the way people danced freely to the different tunes filling the air.

Musically, the festival was a triumph. Rapsody brought fierce energy to the stage with her electrifying blend of hip-hop and jazz, proving why she’s a force to be reckoned with in modern music. Buena Vista Social Club offered a dose of nostalgia, delivering their trademark Cuban rhythms to an adoring crowd, turning the venue into a sea of swaying fans. Rising star Eliza was another standout, her soulful voice captivating the audience, while Nils Frahm created an atmospheric, almost cinematic experience with his unique fusion of electronic and classical sounds.

A special highlight of the festival was the touching tribute to the audience itself, with a Latin jazz rendition of Coldplay’s ‘Clocks’. This unexpected cover, reimagined with vibrant Latin rhythms and soulful trumpet solos, struck a chord with the crowd, creating a beautiful, shared moment of connection. It was a perfect example of how the festival celebrated the power of music to unite people from all walks of life.

Overall, the Jazz Cafe Festival 2024 had its fair share of organisational issues, particularly in terms of VIP logistics. However, these are problems that can be ironed out with time, and given the overwhelmingly positive atmosphere generated by the music and the crowd, there’s plenty of potential for future festivals to improve. With such an incredible range of artists and a crowd eager to celebrate the best of jazz and beyond, the foundation is certainly there for this festival to become a major annual event.

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Reading Festival: A Guide for First-Timers

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Reading Festival

In just a few hours, the town of Reading will transform into the epicenter of one of the world’s most celebrated music festivals. Music lovers from all corners flock to Reading to experience a festival with a legacy that stretches back over three decades. Over the years, legendary acts like The Chemical Brothers, Foo Fighters, Oasis, and Prodigy have lit up the Reading Festival stage. If you’re planning to attend this iconic event for the first time, you’re in for a treat. This article is packed with essential tips for navigating Reading Festival 2024, so jump right in.

The Reading Festival has become an annual tradition, drawing crowds of music enthusiasts year after year, no matter the weather. Festival-goers have braved rain, endured sweltering heat, and embraced the mud, learning the art of packing smartly. You’ll want to bring two sets of clothing, prioritizing shorts and T-shirts, but don’t forget waterproof gear and warm layers as rain is expected on Saturday. A quality sleeping bag is a must, and remember to pack light—dragging a heavy bag while hunting for the perfect camping spot is far from fun.

Towels are essential; one can dry you off on rainy days, while the other provides a cool respite when soaked in cold water during hot spells. Wet wipes are invaluable for reasons you’ll soon discover. Sunscreen is crucial for Friday and Sunday to avoid painful sunburns that could ruin your festival experience. If you enjoy a beer (and who doesn’t?), consider bringing your own to avoid the high prices at the festival. Other must-haves include a hat for sun protection, plenty of water to stay hydrated, sunglasses, glow sticks, and a waterproof hoodie for unexpected downpours.

Selecting the right tent is key to a successful Reading Festival adventure. Choose one that stands out so you can easily find it amidst the sea of tents. Otherwise, you might find yourself awkwardly entering the wrong one more than once. Avoid pitching your tent near hedgerows or main pathways, as these areas can be problematic. The ideal spot is near a tree and close to the arena where the bands play. Finally, don’t forget to make new friends, wear your trendiest jeans, and embrace the festival atmosphere with confidence!

And most importantly, don’t miss the First Timer’s Guide from Reading Festival—it’s an essential read for newcomers.

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